What happens when the Saturation is increased depends on which mode you’re in. With the switches set, operation of VTC largely boils down to manipulation of the Saturation and wet/dry Mix knobs. So, although VMR is never a pain to deal with in any sense, we’d nonetheless appreciate the option to load modules without it. The disadvantage of it - or rather, of having to use it to get access to VTC - is that it’s overkill when all you want to do is fire up a preamp. The advantage of VMR is that it enables you to build your own high-quality custom channel strips and chains, and save them out as complete presets. Up to eight modules can be dragged into the ‘rack’ from a scrolling side panel, and the input signal flows through them in series from left to right. Graphically styled on the API 500 ‘lunchbox’ format, VMR is simply a shell plugin into which Slate’s various analogue-emulating signal processing modules are loaded, including the two EQs and two compressors that come with it, those of the Virtual Console and Virtual Preamp Collections, the Air and Earth EQs, the FG-Bomber “Dynamic Impact Enhancer” and now, VTC. Virtual Tube Collection’s three modules can only be used within Slate Digital’s Virtual Mix Rack plugin, which - fortunately - is a great piece of software in itself.
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